Skip to main content
Monthly Archives

March 2015

Conception or execution?

By Case Study, Communications craft

When writing a case history for your organisation, you’ll find a narrative is a great way to reveal the moment of brilliance. All you have to do is ask: what were the circumstances that helped you think up the idea? The exact time, place, motivation, and question that provoked it. Very often just unpacking that exact moment of conception will create the excitement in the minds of your audience. And consequently an appreciation for the brilliance that went into it.
A good example of this is Michelle Mone’s moment in the toilet during a dinner dance, when she’s taking off an extremely uncomfortable bra. In that moment she decides to invent her Ultimo bra. But how do you do this in a video? You can’t recreate that without actors, sets and a high budget. So very often the best way to show a case history is to show the idea being executed.
So with video as a story telling medium, it’s the execution rather than the conception which makes for a good case history. In the following ideas, the film documents the idea being installed. Usually they preserve enough mystery to keep the viewer guessing. And whether it’s a footprint a keyboard or a phallus, doesn’t really matter. What counts is that there’s a twist to whatever you might have expected.


Symmetry with an opposite

By Creativity, Uncategorized

This neat little idea comes from building a symmetry between the transient text of a text message and the really permanent text of a blue plaque. The net result is a neat comment on just how annoying the wrong predictions are.

We’ve all been there. And the other place

By Uncategorized


I’m always telling participants on the Copycourse that change is the key making a piece of writing interesting. Yet this cute little film keeps doing the opposite; It’s a story about keeping the bear in the same place.
So how come it’s so entertaining?
Well, for one the expectation for anyone who stands in a queue is to move forward. So the film turns our expectation of moving forward in a queue upside down. It plays with how we see the world.
And it keeps doing it in different ways.
All the while it’s saying something deeper about trying to get ahead: that it comes at the price of frustration.
As William Goldman said about screenwriting, give the audience what they expect, not in a way but not in the way that they expect it.
No wonder it got four thousand likes and counting.

I jiggle therefore I am

By What's out there now

Beneath all the flab on show there’s something quite subtle about this idea. The premise of being a Bollywood belly dancer is that you’ve got to enough fat to jiggle. So by celebrating belly dancing, you’re providing a neat piece of subliminal logic; namely other cultures are okay with a bit of extra flesh. It’s just the west where we’ve all gone anorexic.

I jiggle therefore I am

I jiggle therefore I am campaign to get women to exercise

https://time.com/3669876/this-girl-can-ad-sport-england/