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Creativity starts with the obvious

By Communications craft, Creativity, Uncategorized


Creativity often starts with asking what’s so obvious about something you’ve stopped noticing it. Just getting clear about the bleeding obvious is an amazingly refreshing exercise.
Here’s Michael McIntyre on the obvious things in the world, looking at things like eye glasses with fresh un american eyes. Enjoy.

It's the pain that makes the inspiration.

By Communications craft, content, Uncategorized


One of the recurrent issues when writing for corporations is the avoidance of anything that might look like a problem. Anything “negative” frequently provokes a squeamish response from the writing team who are sometimes programmed to say only “positive” things. Yet without the negative there is no positive, it’s all a slushy mush. And you’re never going to move or inspire anyone with mush.
But pain is a flip side of pleasure, and communicators need to work with both.
In a musical parallel, J.S Bach’s aim in his church scores was to move and inspire. So he gives us the most searingly beautiful aria from the St John Passion, where dissonant chords, tucked away in the music for fleeting moments, provoke subliminal anxiety that gets resolved later on. This becomes the motor of inspiration.
Howard Goodall’s brilliant analysis of Bach’s music could equally be applied to dealing with a piece of writing. It is especially true in writing for professional services that there are nearly always problems or a lingering pain that triggered the need for some kind of solution. Problems needs to be there, not in your face, but definitely in there, and woven in. Without problems, there’s no need for anyone to buy a product that solves a problem. Without the pain, or passion, (which means pain), there can be no inspiration.
And if you’ve never heard “Zerfliesse miene Hertz” before, you’re in for a treat.

Anglo Saxon, Latin and political Polyfilla.

By Communications craft


Boris explains why clarity demands more Anglo Saxon and less romance based English words, and why so few politician like to do this.
“What people listen to are simple Anglo Saxon words that correspond to objects in the real world.” “When you’re not doing that it’s about an unwillingness to be honest about the issues.”

Customer Journey

By Strategy

How does a customer come to be a customer? That is obviously the key question for a marketing person, because marketing is about making the journey to the cash register as smooth and as solid as possible, and supporting it with good content.
But in a world of abundant google analytics it’s easy to think that just because something is easy to measure precisely, there’s no need to measure, or even think about measuring anything else. That I believe is a big mistake. In real life people weave in and out of the digital world in a manner of their choosing, not necessarily according to your official customer funnel diagram. In fact the customer funnel is an illusion. A better model might be a pin ball machine or a tornado spout. (It’s even been described recently as a pretzel).

Someone clicks through the site and then drops off your analytics trail. But how do you know they didn’t then pick up the phone and speak to one of your agents before placing an order? You don’t.
They read your content and go to a competitor site. A day later they tell their client, with a different IP address about both. Their client then invites you to tender. How do you track that journey? It’s tricky.
But you can ask questions. Simple questions from your sales agents taking inbound calls, like “How did you get our number?” or “Have you found anything interesting on our website?” It’s not easy but I think it’s time we tried harder to build a fuller richer picture, one that bridges the digital and the real world. We need to remember that analytics are a great tool, but they’re only half the story.
Until we have this, we’ll have all the precise answers, they just won’t be for the questions that really help us.

Darwinian symmetry

By content, Creativity, Uncategorized

Darwin’s vision of man and ape as separated only by a few millennia meant that essentially we were on the same footing as animals. This implicity challenged relationships such as father son and holy spirit. It’s hard to be a creative thinker without upsetting people because when you spot new symmetries you disturb existing ones.

Car and cow. Ford’s symmetry.

By content, Creativity

Henry Ford famously used the paradigm of meat packing to find a better way of building a car. Essentially it inverted the notion that mechanics walked around a single car, gradually constructing it over a period of months. Under Ford’s system, it was the converse; cars proceeded like cow carcasses from one specialised process to the next. Where cows were disassembled, cars were being assembled. By seeing a car as a relatively low value object he could transform its production, and produce the world’s first high volume automobile.